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Spatial
direction and position are important terms for us to consider. This
allows the eye to read if a plane is sloped toward or away, what angle ,
and what the profile of the shape is. Joining of multiple planes begins
to create form or the impression of three dimensions. A simple example
is to think of a diamond (the precious stone) it has a form that is
composed of a multitude of planes or facets. Drawing the human body can
be approached this way, thinking of the three big masses (head, rib
cage, pelvis) as blocks with cubic limbs extending. Gradually more and
more subtle planes can be added making more complex transitions and
form. It is best to WORK FROM BIG TO SMALL- the whole to the detail, the
big body masses to smaller masses, etc. The following examples are all
from Bridgman's Complete Guide to Drawing From Life. These are also presented in an order of process , more or less. Remember basic to more complex.
The
3 Masses of the body (Head, Rib Cage, and Pelvis) note how they are
consider blocks (and their proportions) and their stacked position. The
twist and bend are easy to see and describe as the relationship of these
blocks turn or lean. Essential for carrying the basic movement of the
figure.
Horizontal
Axis of shoulders, pelvis, knees. This gives an understanding of where
the balance is, how the body manages to distribute its weight evenly,
and where the body opens or compresses etc.
Basic
example of planes going up the back and side (almost two sided at its
simplest).What is important to notice is the forward and backward slope
as it moves upward or downward.
This
is a good way to think about each body part, as a cross section. Is its
mass similar to a cylinder, box or pyramid- round, square, triangle.
Further example of this shape of mass. Notice how the shapes alternate as they transition through a limb.
This
example of the arm is interesting to see how planes can rise up and dip
down as they meet another mass. To use Bridgman's term, they wedge
together and interlock.
Planes of the leg from behind, notice how the planes begin to describe muscles.
The
torso is a complex structure with a multitude of planes describing its
surface. these planes all change as the torso twists and bends. Again we
see the muscle groups beginning to be described by planes.
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